It’s a wonderfully organic narrative that evolves and grows out of the Dublin Pub set. In a semi-Brechtian style the superbly talented actor-musician ensemble cast remain on stage throughout the piece and collectively tell the story as a cohesive group. As an audience we were invited to walk the stage before the show started, even buy drinks from the bar on the set and we were actually joined by the cast who warmed up with a few traditional Irish songs before we took our seats. This aside I felt the one thing that didn’t work as well as it could, was a lack of involving and engaging the audience further. The optional pre-show time on stage is a great opportunity to immerse oneself in the world of the show but the connection never goes further. This is of course not everyone’s cup of tea and isn’t the easiest to achieve in a west end theatre.
Arthur Darvill (Rory Pond) is certainly a name to sell the show, but unlike other celeb-stars cast to flog seats, Darvill is perfectly cast and entirely suited to his part and the production itself. Having played the part before on Broadway, it was an obvious choice to invite back this truly multi-talented performer. One cannot help but fall desperately in love with Zrinka Cvitešić (pictured left) who plays the female lead. With her unwavering energy, confidence and positivity, I think she could inspire any would-be artist to succeed. I would also highlight Matthew Hamper as Andre, another Czech character on the search for employment progression in a land of opportunity. Hamper beautifully and believably portrays the poignant journey of this character. The whole cast act as one unit and there isn’t a weak link in the chain.Labels: arthur darvill, once, once review, once the musical, once the musical review